介绍zhugeliang中的一个人物作文400子

篇一:《高一册第一单元作文同步训练设计(教师中心稿)-教学教案》

重庆合川市云门中学 罗 胤（邮编：401538）

【训练重点】

1.提高对感受与思考生活的认识，增强感受与思考生活的自觉意识。

2.掌握感受与思考生活的方法。

3.表达（写作）自己对生活的独特感受与思考。

【表达训练】

板块一

题目：回忆自己生活中感受最深的一件事、一个人物、一个场面或一个镜头，讲给

同学听。

要求：按照口语表达的要求，运用口语表达的一般技巧。

活动：按小组，组员轮流讲演；每小组推荐一至二名表达较好的，进行全班讲演。

指导：作文是精神产品，反映着作者的思想和感情。因此，任何一篇佳作，都具有

独创性。这独创性，可以反映在题材的发掘和思想认识的深刻上，也可以反映在构思、手法

和语言的新颖上，但基础则是作者在生活中有自己的独特感受和发现。有了独特的感受和发

现，才可能有深刻的思想、新颖的构思、鲜活的形象。所以，有自己的感受和发现，是作文

的开始。可以说，没有对生活的真实的感受，就不可能写出个性化的作文。因此，我们要提

高对感受与思考生活的认识，增强感受与思考生活的意识。只有这样，我们才能写出个性鲜

明的作文。

训练感受能力，首先要解决的是感受什么的问题。许多学生都会觉得生活是那样平

淡无奇，没有什么值得可感受可写作的素材。其实，生活中什么都可以成为感受的对象。一

个自然的景象，一件实物（如建筑物、实用东西等），一件细微的小事，一个小小的微笑，一

丝淡淡的思绪，生活中人们的一句话（哪怕是只言片语），一个细节，一幅图画（包括新旧照

片等），一篇文章或文中的一段话、一个句子、一个词语，一个历史人物，一个历史事件，这

些都能引起无限遐想，引发某种感受，成为感受对象，甚至成为写作的契机和切入点。并不

一定非要什么重大事件、重要人物、精彩场面、奇妙情景才能引发感受，成为感受的关注点。

无数写作实践表明，能给人深刻感受的事物往往很平凡，甚至微不足道。关键是要做生活的

有心人，随时留意周围的人和事及其带来的种种感受和发现。一位腿部受伤的同学，只能用

一只脚走路，教室、寝室都在七楼，就这样每天来来往往，可很少有人去留意，似乎司空见

惯，与己无关。但有一位同学注意到了，感受到了这位同学身上表现出来的毅力和精神，在

周记中讴歌了这位同学，说出了自己的感受和受到的启发、教育。这就是感受。{介绍zhugeliang中的一个人物作文400子}.

当然，生活中的感受对象不同，感受的重点和方法也就不同。一般来说，感受对象

大致可分为这几类：自然景观、实物、人事、图画、内心世界等。例如对自然景观的感受，

重要的是要以审美的态度、审美的目光去感知，在情感的催化下引起审美联想和想象，从而

达到对感受对象美的感受和领悟。对实物的感受，则要以科学的态度、现实的目光去感知对

象，它需要运用分析、综合、比较、分类等方法去把握对象的特征，并探究对象的因果联系，

从而认识这一事物是什么而不是什么，其原因又是什么，由此引发对现实生活的感悟。

这里还要强调一点的是，观察与感受是两个完全不同的概念。观察着眼于外界的客

观存在，以获取外界信息为主要目的；而感受是由外界事物的影响而产生的一种心理活动，

它以观察为前提，是对观察所得深化为内心情感上的体验，是一种内心细腻、微妙的情绪和

感情的波动。但两者都要以人的感官作为必要的生理条件。

课外练习：

1.生活是一本书，一本丰富多彩、酸甜苦辣样样俱全的大书。那里藏有挖之不尽、

取之不竭的宝藏。请你仔细回忆你生活中感受最深的一幕，把它记录下来。题目自拟，文体、

字数不限。

在文末附录上你为什么要选择这段材料？它哪一点打动了你？从中你悟到了一点什么人生哲

理？通过这个练习，你对感受生活又有了哪些新的体会和认识？

2.许多同学觉得生活很平淡，“三点一线”，没有什么可感受可写作的素材。其实，

在我们的校园生活中，同学的一句话、一个眼神，老师的衣着变化，天气的阴晴冷暖变化，

课文中的一个精彩词句或插图，等等，都可能引发你的无限感受。关键是你要做生活的有心

人，养成细致了解和认识生活的习惯，培养感受和思考生活的意识。请你就课文中的某一幅

插图作仔细的观察，用说明的方法写一段文字，客观地把它介绍给读者；然后，仔细回忆一

下你在观察中获得了哪些认识和情感体验，感悟到了一点什么，用文字把它记录下来。

完成后，请认真比较两文，看看有何异同。请你用理性的文字把这些看法和认识记

下来。不必面面俱到，只谈你自己独到的看法。

板块二

题目：听音乐写作文

要求：放一段音乐，学生闭目聆听，然后写一个片断，字数不限。

活动：学生当堂完成作文后，相互交流。可请最先完成的同学朗读自己的作文，然{介绍zhugeliang中的一个人物作文400子}.

后全班评论。

指导：感受以观察为基础，它们都要用到人的感官。因此，训练感受能力，就要做

到五官开放，立体的、全面的去感受生活。“生活对于我们来说，它总是通过感觉给我们神经、

给我们的大脑以信号的。我们知道，人都是有五官的，认识世界首先是从感觉开始的。比如

说，春天，下雨了，是春雨。下雨了，对一个普通人来说算不了什么，一辈子见过的雨也多

了。‘下雨了，下雨了，把自行车搬到廊子里去吧！’或者有晾的衣服赶紧收起来，这也就完

了。但我们细细观察一下，‘下雨了’这样一个现象，它给予人的是一系列多么复杂多么微妙

的感觉。你怎么知道下雨了？首先，或者你看到了雨丝，这是一种视觉的形象。这雨丝可能

细细的，因为我刚才说了，这是场春雨，不是夏天那种倾盆大雨。也可能你感觉到了一种凉

意。有时候，你还会闻到由于下雨而使泥土潮湿的气息。甚至下雨以后连树叶、花，它们的

颜色，它们的气味，都会发生变化。下雨的时候，还包括阴天所给你的视觉的感受。这种阴

沉天空的感觉，也许在某些人身上引起的是一种快乐。如果是农民，他的这种感觉就是和他

的快乐分不开的，因为他的庄稼地，还有许多地方正需要雨。如果是牧区，对下雨的感觉更

敏锐。一场春雨过后，到处都是绿草。放羊放牛的牧民啊，甚至牛啊，羊啊，都感到是非常

快乐的事情。所以说，下雨这么一件普通的事情，它是和这么一系列复杂的感觉，视觉、嗅

觉、触觉、听觉分不开的。”（《王蒙谈创作》，中国文联出版公司，1985年5月第一版，44–45

页）由此可见，正是这样或那样的对事物的感觉，充实着作者的感受体验，激发着写作的欲

望。因而，训练五官的感受能力是何等重要。

但是，在训练五官的感受能力时不能平均用力，而是要有所侧重。因为它们在人的

感受中的作用是不同的。据有关研究表明：“知识输入的主要通道是眼睛和耳朵（视觉通道与

听觉通道）。人生之初，通过听觉通道而记知识要比通过视觉通道优越（能够通过测验答案正

确的百分率得到证明）；大约在小学之末，中学之初，通过视觉通道吸收知识的优势日渐发展

起来，有所谓‘百闻不如一见’。近代生理学家告诉人们，单位时间内，由视神经输入的信息

量是听神经输入信息的五百四十倍。这样说来，就不是‘百闻不如一见’，而是‘五百四十闻

不如一见’了。据报道，有人对我国中学生进行过测验，发现通过‘目睹’比通过‘耳闻’，

多记知识一点六六倍。有关研究证明，信息通过不同通道输入大脑，大脑吸收率分别是：视

觉通道——百分之八十三；听觉通道——百分之十一；嗅觉通道——百分之一点五；味觉通

道——百分之一。”（王通讯：《论知识结构》，北京出版社，1986年版，第62页）这一点，

我们可以通过古今中外大量的名家名作中对感官的感受描写出现的频率来得到印证。因此，训练五官感受力时要重点训练视觉感受力和听觉感受力。

课外练习：

1.生活是千姿百态、变幻莫测的，它具有多重性。因此，对生活的感受也必须是多方面的、立体的。感受时，必须开放五官。当然，这并不是就要平均用力，而是要以某个感受为主，再辅之以其他感受。而且要注意感受对象适用于用那种感受，不能张冠李戴。请你有意识地去感受一处自然景物，或农贸市场一角，或一场晚会，或——自拟题目，写一篇文章。

篇二:《四大名著》

《三国演义》—-《The Romance of the Three Kindoms》

《水浒传》—-《The Story by the Water Margin》

《红楼梦》—-《The Dream of the Red Chamber 》

《西游记》—-《Journey to the West》

中国四大名著英文简介2009-06-07

Chinese Literature – Novels and fiction

Hongloumeng 红楼梦" of the Red Chamber"

Also called "The story of the Stone (Shitouji 石头记)", this novel written by Cao Xueqin 曹雪芹 (d. 1763) is said to be the greatest masterpiece of Chinese fiction. A wide branched scholarship does not consent about the main theme of this novel, should it be a novel of sentiment, of Daoist-Buddhist enlightenment, of social observation, of the decay of an aristocratic familiy, or even a veiled attack on Manchu rule. The frame of the novel is the contest of a Buddhist and a Daoist priest who make be born a young noble boy called Jia Baoyu 贾宝玉 and his girl cousin Lin Daiyu 林黛玉. With a loving detail describing the life of the two cousins in a huge noble mansion, between gardens and palaces, the red thread is the triangular love between Baoyu, Daiyu and a second girl cousin called Xue Baochai 薛宝钗 that is of more plumper character than the ever sick Daiyu. Switching between their life, the divine world and dreams, Baoyu becomes deranged after the disappearance of a stone (the origin of the second title) he had in his mouth when he was born. Not

knowing, his love Daiyu died, he is tricked to marrying Baochai. Becoming aware of being tricked, Baoyu leaves the world of the "red dust" and becomes a monk. With hundreds of persons and their stories, paralleling the life and feelings of servants to the life of the main persons, the story is very complex and full of symbolisms, but very interesting and

convincing for its encyclopedic character, depicting the life of a noble familiy in the 18th century Qing China 清.

三国演义Romance of The Three Kingdoms

Romance of The Three Kingdoms is one of the great chinese classics and is compiled into a semi-fictional literary masterpiece during the Ming Dynasty by Luo Guanzhong. The novel comprises around 70+% fact and 20+% fiction. Some issues such as Guan Yu's weapon weighing around 40+ kilograms, the capabilties of Lu Bu, Liu Bei's horses as well as the existence of the Hill of the Fallen Phoenix and some others are probably fictional. That period in history can be said as the golden age of chivalry and although it happened more than 1700 years ago, characters such as Liu Bei, Cao Cao, Guan Yu, Zhang Fei and Zhuge Liang have become household names among the chinese. Tales of their exploits, courage, adventures and many more are told in the novel "Romance of The Three Kingdoms".

It is one of the most turbulent periods in China's history taking place toward the end of the Han Dynasty where corruption is rampant in the imperial court due to eunuches holding power. Coupled with natural disasters such as floods, plague and locust swarms devouring the crops grown by the peasants, hunger and disatisfaction among the peasants soon escalated rapidly until a major rebellion known as the "Yellow Scarves Rebellion" led by Zhang Jiao broke out. (It was dubbed "Yellow Scarves" because the rebels tied a yellow scarf on their head). Initially just a small band of rebels, due to widespread hunger and ill-sentiment among the populace, swarms of common folks joined in the rebellion across many parts of the country.

三国演义人物介绍

刘备

Liu Bei (161–223 AD), styled Xuándé (玄徳), was a general, warlord, and later the{介绍zhugeliang中的一个人物作文400子}.

founding emperor of Shu Han during the Three Kingdoms era of China. Although having a later start than his rivals, also lacking both the material resources and social status they commanded, Liu Bei overcame his many defeats to carve out his own realm, that at its peak spanned modern day Sichuan, Guizhou, Hunan, part of Hubei, and part of Gansu.

Culturally, due to the tremendously popular novel Romance of the Three Kingdoms by Luo Guanzhong, Liu Bei is widely known as the ideal benevolent, humane ruler who cared for his people and picked good advisors. His character was to advocate the Confucian set of moral values, such as loyalty and compassion.

张飞

Zhang Fei (?-221 AD) was a military general of Shu Han during the Three Kingdoms era of China.{介绍zhugeliang中的一个人物作文400子}.

Zhang Fei was shown to have been a masterful general rather than simply a warrior. He treated his superiors with respect, but had little respect for his underlings. He was often warned by Liu Bei that his habit of over-punishing his own soldiers by lashing and killing would eventually bring himself disaster.

Zhang Fei married Xiahou Yuan's daughter, who was captured by Zhang Fei's troops as she was out gathering firewood. They had a total of two daughters, and the older daughter became the empress of Shu Han after marrying Liu Shan, with Zhuge Liang as the

matchmaker. After Zhang Fei's eldest daughter had passed away due to natural causes, Zhuge Liang once again played the role of matchmaker, and Liu Shan married Zhang Fei's younger daughter, who thus succeeded her older sister to become the empress of Shu Han.

Zhang Fei is best portrayed through his description and actions depicted in Records of Three Kingdoms biography by Chen Shou. Some claim that Zhang Fei was also an excellent painter.

Zhang Fei was killed by his own men Zhang Da and Fan Jiang, while preparing his troops to attack the rival Eastern Wu to avenge the death of Guan Yu. Zhang Da and Fan Jiang went on to defect to Wu.

水浒传Outlaws of the Marsh

The novel "Outlaws of the Marsh" is somewhat like the Iliad and Odyssey… An ancient epic tale… no one remembers the period it was composed and immortalized.{介绍zhugeliang中的一个人物作文400子}.

One knows this story is based on real facts and has inspired many storytellers.

One knows the North Song Dynasty (XIIIth Century) lived its apogee and declined, a victim of corruption and decadence.

One finds historical traces of these outlaws who challenged the imperial authority and died under the executioner's blade.

At last, as anyone knows today that a man called Homer wrote the Iliad and Odyssey, no one doubts anymore that a man called Shi Nai-an wrote down during the XIVth century the novel Outlaws of the Marsh that reached us.

Everyone recognizes that Jin Sheng-tan, during the XVIIth century, published what is now famous as the original version of a novel that obtained the interest and infatuation of successive generations.

Water Margin or Outlaws of the Marsh ("All men are brothers" in Pearl Buck's translation, "Shui hu zhuan" in Chinese, "Au Bord de l'Eau" in French ) is an immortal novel because its tale is universal : it speaks of beings (outlaws but also notables, strong muscled heroes but also intellectual, anarchists but also philosophers…) who cannot bear injustice nor abuse nor arbitrariness…

That is the reason they are immortal and their popularity has lasted for centuries . Discover the 108 heroes, the episodes , the paper-cuts representing them, the Beijing operas their fighting exploits inspired…

人物

Gai Ping Health gave special love make the world anyway, famous arena. Like charges to stick, chicken, and did not take wives, all hit others physique. Village Creek Village

haunted legends, villagers digging a river in the town engraved art, ghost was rushed to the East seven. Classical hell, then alone will be engraved Creek Village in places away from the East side down. Thus so-called "Tota kings".

晁盖平 生仗义疏财，专爱结交天下好汉，闻名江湖。喜欢刺枪使棒，身强力壮，不取妻室，终日打熬筋骨。传说邻村西溪村闹鬼，村人凿了一个青石宝塔镇在溪边，鬼就被赶到了东溪村。晁盖大怒，就去西溪村独自将青石宝塔夺了过来在东溪边放下。因此人称“托塔天王”。

西游记Pilgrimage to the West

Journey to the West is a mythological novel based on many centuries of popular tradition. It was probably put into its present form in the 15708 by Wu Cheng’en (1500-82). This lively fantasy relates the amazing adventures of the priest San-zang as he travels west in search of Buddhist sutras with his three disciples, the irreverent and capable on- key, greedy Pig, and Friar Sand. The opening chapters recount the earlier exploits of Monkey, culminating in his rebellion against Heaven. We then learn how Sanzang

became a monk and was sent on his pilgrimage by the Tang emperor who had escaped death with the help of an Underworld official.

The main story, the journey, takes the priest through all kinds of entertaining trials and tribulations, mainly at the

hands of monsters and spirits who want to eat him. Only the courage and powers of his disciples, especially Monkey, save him from death. Monkey is the hero of the fantasy, and the reader will soon learn why he has long been so loved in China. Will the pilgrims reach the Vulture Peak and obtain the Scriptures? The answer will only be found at the end of the lOO-chapter novel.{介绍zhugeliang中的一个人物作文400子}.

The story is as full of imagination as Monkey is of magic, and packed with incident and down-to-earth humour. The illustrations are from 19th-century Chinese edition. This is the first of the three volumes of the novel.

篇三:《打破思维定势 尽显写作个性》

打破思维定势 尽显写作个性

传统的习作指导，学生的作文规范了，达到了各学段作文的总体要求，但最令人担忧的是：似曾相识。从内容看题材大同小异；从语言看，文字表达方式雷同。学生作文缺乏个性，缺乏独特生命的标志！如出一辙，千人一面